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K392Assembly2017-2018 SessionResolution

Honor Choral Society’s 200th Anniversary

Official title

“Commemorating the 200th Anniversary of the St. George's Choral Society”

Sponsor Richard GottfriedAD-75
Status
Adopted
Impact
1/10
Minimal
Outcome
Adopted

What's happening

This resolution commemorates the 200th anniversary of the St. George's Choral Society, recognizing its historic contributions to New York's cultural life.

Why it matters

  1. Highlights the evolving inclusivity of New York’s cultural institutions. The resolution notes that St. George’s Choral Society was the first Episcopalian parish in New York City to allow female choir members, marking a significant step toward gender equality in religious and musical spaces.

  2. Documents a living history of musical innovation and diversity. By tracing the Society’s collaborations with renowned composers, soloists, and conductors—including the early introduction of Black spirituals and world premieres of major works—the resolution sheds light on how the group helped shape the city’s musical heritage over two centuries.

  3. Underscores the Choral Society’s adaptability and community role. The organization’s resilience—surviving lapses, wars, leadership changes, and even separation from its founding church—illustrates the importance of community-based arts groups in maintaining cultural continuity and adapting to changing times.

  4. Recognizes the broader social value of the arts. The resolution frames choral music not just as entertainment, but as a vehicle for cross-cultural understanding and healing (e.g., the post-9/11 “Sing-Out for Healing and Peace”), emphasizing why public recognition of such groups matters for societal well-being.

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Headline styles

Honor Choral Society’s 200th Anniversary

Plain English, a few words. Used as the page title.

Sponsors

Primary sponsor
Richard Gottfried

Assembly Member · Assembly District 75

No co-sponsors yet.

History

  1. Adopted
  2. Introduced

Full text

1 pageUnderlined is new[Struck] is removedOfficial text on nysenate.gov ↗

Assembly Resolution No. 392 BY: M. of A. Gottfried COMMEMORATING the 200th Anniversary of the St. George's Choral Society WHEREAS, It is the sense of this Legislative Body to recognize and commend those musical organizations that have brought entertainment and cultural enrichment to the citizens of the great State of New York; and WHEREAS, This Legislative Body is justly proud to commemorate the 200th Anniversary of the St. George's Choral Society to be celebrated at a performance of Antonin Dvorak's "Stabat Mater" on Sunday, April 30,

2017, in the Church of the Incarnation in New York, New York; and WHEREAS, Founded on February 12, 1817, St. George's Choral Society is the oldest choir in New York City; on this auspicious day, a committee met on Stuyvesant Square to approve a constitution… Show all

2017, in the Church of the Incarnation in New York, New York; and WHEREAS, Founded on February 12, 1817, St. George's Choral Society is the oldest choir in New York City; on this auspicious day, a committee met on Stuyvesant Square to approve a constitution for a Society of St. George's Church for the Cultivation of Sacred Music to be supported by the congregation of the church; and WHEREAS, Most of the Choral Society's performances have taken place in St. George's Church on Stuyvesant Square, often on Sunday afternoons; the Church made headlines throughout the 1800s for its innovative approach to worship as the first Episcopalian parish to allow female choir members; and WHEREAS, Throughout its two centuries of exceptional choral work, St. George's Choral Society has crossed paths with numerous composers, soloists, and directors of renown; and WHEREAS, In the 1890s, the Society's name became associated with Czech composer, Antonin Dvorak; in February of 1891, the St. George's Choral Society performed "Stabat Mater," directed by Richard Henry Warren; a year later, they gave the American premiere of his "Requiem Mass"; and WHEREAS, In 1894, Harry Burleigh came to St. George's Church as a baritone soloist, a position he held for 52 years; he brought traditional black spirituals to their audience for the first time and inaugurated an annual concert of spirituals at the Church; the Choral Society continued the annual concert for many years after his death, and has continued to perform Burleigh spirituals through the decades; and WHEREAS, The Choral Society lapsed during World War II and was re-founded in 1950 by George Kemmer, a longtime organist and music director at St. George's Church; after his retirement, Charles Henderson served as director from 1956-1971; and WHEREAS, Performing an average of four concerts a year, the Choral Society was privileged to collaborate with great talent such as concert organist E. Power Biggs; in 1964, they sang a televised performance of Benjamin Britten's "Noyes Fludde"; that same year, they appeared at the Philharmonic Hall, performing Bach's "Magnificat" and a 1958 "Magnificat" setting by Alan Hovhaness; and WHEREAS, In addition, the noted scholar and musicologist Adrienne Fried directed members of St. George's Choral Society for a concert featuring Brahms, Stravinsky, and Poulenc in 1969; and WHEREAS, In the 1970s, after the renovation of St. George's Church, the Choral Society continued to perform under the direction of Wayne Cohn; highlights of this era included a staged concert of King David by Arthur Honegger; the first performance of a new translation of Bach's "St. John Passion"; and the world premiere of "Seek the Lord," an original composition by the Choral Society's assistant director, Bradley Hull; and WHEREAS, The Choral Society entered the 1980s under the direction of Calvin Hampton, whose music drama "It Happened in Jerusalem" had its world premiere with the Society in 1982; two years prior, he directed the Choral Society in the first full performance in French of "Les Beatitudes" by Cesar Franck; and WHEREAS, After Calvin Hampton's death, there was a hiatus of several years without a major concert; after becoming the Music Director for St. George's Church in 1988, Kenneth Dake reimagined the Choral Society as a community chorus combining voices of all faiths to perform a wide variety of works; and WHEREAS, Through Kenneth Dake's wisdom, the voices tripled in number within two years, the Choral Society gained a Board, and the budget increased significantly; Kenneth also initiated the Summer Sing-ins, which were an annual six-week series of evenings where choristers sang classical music for fun; and WHEREAS, During this era, the Choral Society presented a quarterly newsletter, hosted annual picnics in the Hudson Valley, and held benefit concerts at the National Arts Council and Cabaret evenings; and WHEREAS, In the early 1990s, the Choral Society performed everything from arias to show tunes to revues of "20th Century Americana"; in 1992, the Society took part in a campaign to have a statue of Antonin Dvorak moved from the roof of Avery Fisher Hall to Stuyvesant Square, where his house had just been demolished; a concert of his "Mass in D," "Biblical Songs," and "Te Deum" was supported by the American Fund for Czechoslovak Refugees; and WHEREAS, In 1997, Kenneth Dake was succeeded by Kyler Brown, who later resigned as music director of St. George's Parish but continued as Director of the Choral Society; this was the first time that the two positions were separated and it laid the groundwork for the Choral Society to become an independent organization; in the late 1990s, the Choral Society performed more and more often outside of St. George's Church, including with St. Patrick's Choir for the annual "City Singing at Christmas"; and WHEREAS, Harry Huff, who had been Calvin Hampton's Assistant Director 20 years earlier, took over as director of the Choral Society from 2000-2004; on September 12, 2001, he organized a program commemorating "Day 2 of Attack on America," with a Sing-Out for Healing and Peace featuring Felix Mendelssohn's "Be not afraid" and "He, watching over Israel" as well as Haydn's "Agnus Dei" from Mass in Time of War; and WHEREAS, In 2004, the directorship passed to the current leader, Dr. Matthew Lewis; two years later, the group launched its own website, and became a nonprofit organization separate from the church in 2009; concerts moved from St. George's Church to the Church of the Incarnation; and WHEREAS, The arts, in whatever form depicted, are central to human expression; they are truly a universal language and their contribution to the development of friendship and understanding among all peoples cannot be overestimated; and WHEREAS, It is the practice of this Legislative Body that when musical societies of such noble aims and accomplishments are brought to our attention, they should be recognized by all the citizens of this great Empire State; now, therefore, be it RESOLVED, That this Legislative Body pause in its deliberations to commemorate the 200th Anniversary of the St. George's Choral Society; and be it further RESOLVED, That a copy of this Resolution, suitably engrossed, be transmitted to Dr. Matthew Lewis, Conductor, St. George's Choral Society.

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